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Sarpele din Essex

Sarpele din Essex

6.0 / 10 (2 voturi)
NaN
Limba:
Romana
Data publicarii:
2018
Editura:
Tip coperta:
Paperback
Nr. pagini:
528
ISBN:
9786064301932
Dimensiuni: l: 12cm | H: 20cm

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Descriere

Cartea anului 2016 la Waterstones

Cartea anului 2017 la British Book Awards

Roman nominalizat la Premiul Costa 2016 si la Baileys Women's Prize for Fiction in 2017

Dupa moartea sotului ei, Cora Seaborne incepe o viata noua in Colchester, un satuc englez, in care se zvoneste ca miticul Sarpe din Essex, care odinioara statea in tinutul mlastinos, s-ar fi intors in parohia Aldwinter.

Amatoare de stiinte ale naturii, Cora este convinsa ca ceea ce localnicii iau drept o creatura magica poate fi un exemplar dintr-o specie nedescoperita. William Ransome, vicarul parohiei locale, pe de alta parte, considera ca zvonurile sunt doar rodul lipsei de credinta adevarata.

O legatura stransa se creeza intre Cora si Will in ciuda diferentelor dintre ei, pe masura ce amandoi incearca sa desluseasca misterul Sarpelui din Essex.

Poveste spusa cu multa gratie si inteligenta, Sarpele din Essex este inainte de toate o carte despre dragoste si multele forme pe care ea le poate lua.

„Daca Charles Dickens si Bram Stoker ar fi scris impreuna un mare roman victorian, oare el ar fi fost mai bun decat Sarpele din Essex?“
The Guardian

Recenzii și comentarii

The Tendency Toward Violence and Oppression in Revolutionaries Nota 10

de Marina-Cristiana Stan | 26/09/2019 15:31

Throughout the novel, Dickens approaches his historical subject with some ambivalence. While he supports the revolutionary cause, he often points to the evil of the revolutionaries themselves. Dickens deeply sympathizes with the plight of the French peasantry and emphasizes their need for liberation. The several chapters that deal with the Marquis Evrémonde successfully paint a picture of a vicious aristocracy that shamelessly exploits and oppresses the nation’s poor. Although Dickens condemns this oppression, however, he also condemns the peasants’ strategies in overcoming it. For in fighting cruelty with cruelty, the peasants effect no true revolution; rather, they only perpetuate the violence that they themselves have suffered. Dickens makes his stance clear in his suspicious and cautionary depictions of the mobs. The scenes in which the people sharpen their weapons at the grindstone and dance the grisly Carmagnole come across as deeply macabre. Dickens’s most concise and relevant view of revolution comes in the final chapter, in which he notes the slippery slope down from the oppressed to the oppressor: “Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.” Though Dickens sees the French Revolution as a great symbol of transformation and resurrection, he emphasizes that its violent means were ultimately antithetical to its end.

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