Hemingway

A Life in Pictures
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Limba:
Engleza
Data publicarii:
2021
Tip coperta:
Paperback
Nr. pagini:
207
ISBN:
9781554079469
Dimensiuni: l: 25cm | H: 28cm | 1.5cm | 1134g

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Descriere

A loving homage to one of America's greatest writers.

July 2, 2011, marks the 50th anniversary of the tragic death of Ernest Hemingway. The year will also see the release of two documentaries about the famed writer.

In this first-ever tribute to her grandfather, Mariel opens the family album to reveal all aspects of the man. More than 350 carefully selected photographs show a childhood filled with harbingers of the future -- the five-year-old fishing, the 16-year-old writing, the wounded soldier, the young groom -- and an adult life of success and failure -- journalist, serial husband, prize-winning author, big-game hunter, "Papa" Hemingway, foul-mouthed drinker, self-idealized hero.

A compelling 40,000-word narrative gives chronological details and adds fascinating context to the photos. What influenced Hemingway's writing? Who were the important figures in his life? Why was he compelled to write? Was he as confident as he presented himself to be?

Hemingway: A Life in Pictures surveys the touchstones of a celebrated life to reveal the character, dreams and disappointments of one of America's greatest writers.

Recenzii și comentarii

Nota 10

de Marina-Cristiana Stan | 25/08/2019 14:22

Much of the first part of Oliver Twist challenges the organizations of charity run by the church and the government in Dickens’s time. The system Dickens describes was put into place by the Poor Law of 1834, which stipulated that the poor could only receive government assistance if they moved into government workhouses. Residents of those workhouses were essentially inmates whose rights were severely curtailed by a host of onerous regulations. Labor was required, families were almost always separated, and rations of food and clothing were meager. The workhouses operated on the principle that poverty was the consequence of laziness and that the dreadful conditions in the workhouse would inspire the poor to better their own circumstances. Yet the economic dislocation of the Industrial Revolution made it impossible for many to do so, and the workhouses did not provide any means for social or economic betterment. Furthermore, as Dickens points out, the officials who ran the workhouses blatantly violated the values they preached to the poor. Dickens describes with great sarcasm the greed, laziness, and arrogance of charitable workers like Mr. Bumble and Mrs. Mann. In general, charitable institutions only reproduced the awful conditions in which the poor would live anyway. As Dickens puts it, the poor choose between “being starved by a gradual process in the house, or by a quick one out of it.”

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