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Emma
6.7 / 10 (15 voturi)
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Categorii:
Limba:
Engleza
Data publicarii:
2015
Editura:
Tip coperta:
Paperback
Nr. pagini:
404
ISBN:
9781847494139
Dimensiuni: l: 13cm | H: 19.8cm | 2.8cm | 324g

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Descriere

Emma is considered by many readers to be Jane Austen's crowning achievement, a timeless comedy of manners that lays bare the limits on women's autonomy in Regency England.

The disparity between Emma Woodhouse's self-confidence and self-knowledge, and her determination to arrange marriages for her friends while avoiding one for herself, leads to a painful series of misunderstandings for everyone who suffers from her well-meaning altruism - and with Mr Knightley being the only person of her acquaintance who has the good sense to challenge her, Emma must eventually recognize her match in every sense. Long praised for its rich detail and perfect craftsmanship, Emma is one of those classic masterpieces that readers go back to again and again for its inexhaustible fund of humanity.

Recenzii și comentarii

Nota 10

de Marina-Cristiana Stan | 25/08/2019 14:41

The novel offers sharply critical illustrations of the ways in which personal biases or desires blind objective judgment. Emma cannot understand the motives that guide Mr. Elton’s behavior because she imagines that he is in love with Harriet. She later admits to herself that “[s]he had taken up the idea, she supposed, and made everything bend to it.” Meanwhile, Mr. Elton’s feelings for Emma cause him to mistake her behavior for encouragement. The generally infallible Mr. Knightley cannot form an unbiased judgment of Frank Churchill because he is jealous of Frank’s claim on Emma, and Emma speaks cruelly of Jane because her vanity makes her jealous of Jane’s accomplishments. Emma’s biases cause her to invent an attachment between Harriet and Frank and blind her to the fact that Harriet actually has feelings for Knightley. At the same time, Frank’s desire to use Emma as a screen for his real preference causes him to believe mistakenly that she is aware of the situation between him and Jane. The admirable, frequently ironic detachment of the narrator allows us to see many of these misunderstandings before the characters do, along with the humorous aspects of their behavior. And the plot is powered by a series of realizations that permit each character to make fuller, more objective judgments.

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