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      Fiction for the Working Man 1830-50
      Fiction for the Working Man 1830-50

      Fiction for the Working Man 1830-50

      A Study of the Literature Produced for the Working Classes in Early Victorian Urban England
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      Language:
      Engleza
      Publishing Date:
      2017
      Cover Type:
      Paperback
      Page Count:
      320
      Edition:
      LARGE PRINT ED
      ISBN:
      9781911454250
      Dimensions: l: 13.9cm | H: 21.5cm
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      Publisher's Synopsis

      Literature for the masses appeared on an unprecedented scale in the first half of the 19th-century. This was the earliest response to new and voracious demands for cheap books of all kinds. This famous and innovative book enquires as to the nature of this new material, the responses to it, and its audiences amidst the new reading public which it illuminates


      The technological advances in printing, and the urbanisation of the population were key influences. So, too, were new entrepreneurial energies amongst author and publishers.

      Professor James shows what were the realities and the resonances of this new culture. He examines the effects of a new urban culture, its complicated class relations, the difficult history of the radical press, and the relationships between popular fiction and ‘literature’. His is a detailed and engaging, well illustrated study of the growth of literacy and the vivacious and enormously varied popular literature of both entertainment, improvement, and instruction which was published. This included chapbooks and broadsheets, plagiarisms of Dickens in penny serial numbers, gothic tales of terror, ‘blood-and-murder’, ’ghost-and-goblin’ fiction, exuberant historical novels, domestic stories, romances, and tales of fashionable life.

      The first edition was welcomed by Raymond Williams, who wrote that ”Dr. James has done so thorough a job that all students of the period will be permanently in his debt….the success of the enquiry, in research terms is outstanding: a solid contribution to the necessary rewriting of nineteenth-century cultural history.”
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