Cuprins/ Contents
Introduction - Irina Trocan
Videograms of a Nation
Romanian Independence: Filmmaking Controversies Meet Unshakable Patriotism - Irina Trocan
Looking Back in Anger: Post-socialist Narratives in the Romanian Documentary - Andra Petrescu
The Slow Break from Socialist Realism: Romanian Cinema in the Late 50s and Early 60s - Radu Toderici
On the Subtractive Modernism of the New Romanian Cinema. An interview with Dominique Nasta
Spotlighting the Peripheral
Female Filmmakers and Fiction Films: An Introduction to the Style and Stories Made by Women - Alex Mircioi
Romanian Socialist Teen Films of the 70s and 80s and State Ideology - Georgiana Vrăjitoru
Ethnographic and Observational Turn in Contemporary Roma Representations - Bogdan Iancu & Ileana Szasz
Female Sexuality and Male Power in the Cinema of the Transition Period - Iulia Popovici
Genre Filmmaking and Visual Pleasure
Creating a National Identity in Film: The Historical and Mythological Past in Romanian Cinema - Alexandru Vizitiu
Communist Comedies and the Invisible Hand of the Political – Georgiana Mușat
Romanian Animation: Digital Renaissance – Dana Duma
Romanian Science Fiction, between Cold War Hard Labor and Multimedial Compositing – Andrea Virginas
The Fine Print
Corneliu Porumboiu’s Realisms – Andrei State
Sex and Sexuality in Lucian Pintilie’s Carnival Scenes – Andrei Șendrea
Our Manager: The Myth and Era – Gabriela Filippi
History and Middle-Class Consciousness in Romanian Films of the 90s – Alex Cistelecan
Notes, Bibliography, About the authors, Romanian film screenings at the Europalia Festival