The Eminent Dutch Conductor Eduard Van Beinum Described His Relationship With Orchestral Musicians As ‘First Among Equals’. He Said Of His Work ‘One Must Certainly Not By Tyrannical. A Conductor Must Immerse Himself In The Possibilities Of Each And Every Orchestra Member And Bring Everything Out Of Them.’ It Was A Huge Shock, When During A Rehearsal Of Brahms’ First Symphony On 13 April 1959, Van Beinum Suffered A Fatal Heart Attack On The Podium In The Concertgebouw At The Age Of Just 58. His Qualities As A Musician Had Perhaps Not Been Fully Appreciated During His Lifetime, But After His Death, His Recordings Allow Us To Re-Evaluate His Impeccable Musical Intuition, His Good Taste And The Spontaneity Of His Music-Making. Collected Here In One Edition That Predominately Features The Two Orchestras He Was Principal Conductor Of — The Concertgebouworkest & London Philharmonic Orchestra — Are The Complete Recordings He Made For Both Decca And Philips.
Highlights Include:
O A Sparkling Interpretation Of Beethoven’s Ballet Music To The Creature Of Prometheus With The LPO
O Brahms’ Symphony Cycle Recorded With The Concertgebouworkest – A Radically Modern Approach For The Time They Were Made
O Lauded Recordings Of Ravel’s Rapsodie Espagnole (1946) ‘Without Question, This Is The Best Recording We Have Had Of This Pungently Evocative Work.’ — Gramophone; Boléro And La Valse And Debussy’s La Mer, Stravinsky’s Le Sacre Du Printemps (1946) ‘A Truly Brilliant Recording, Bringing Out More Of The Score Than I Should Have Thought Possible’ — Gramophone
O Berlioz’ Symphonie Fantastique (One Of His Most Celebrated Recordings Full Of Incisive Precision And Spontaneous Explosive Abandon)
O Reference Recordings Of Bruckner’s 7, 8 & 9th Symphonies – “Bruckner Is My Bread And Butter” Said Van Beinum
O Diapason D’Or Award-Winning Recordings Of Mendelssohn’s Symphony No.4 & A Midsummer Night’s Dream (CO) & Hebrides Overture (LPO)
O A Series Of 78rpm Recordings Made For ‘Dutch Decca’, Telefunken & Deutsche Grammophon, Including Many Works Van Beinum Never Recorded Commercially, Such As Richard Strauss’s Don Juan And Smetana’s Vltava – All Released For The First Time In Nearly 70 Years, In New Hi-Res Transfers Made Especially For This Collection
O Bonus Audio Documentary Feature Produced By Jon Tolansky, With Commentary By A Number Of Musicians Who Worked With Eduard Van Beinum
O 102pp Book (English/Dutch/French/German) With Essays By Music Historian Niek Nelissen And Jon Tolansky
The discount is applied to online orders only.